When thinking of the "New" in the new music scene, I believe we must embody an intricate interplay of alienation and appropriation.

 

Alienation allows us to attune ourselves to voices and frequencies that remain uncharted in our perception.

 

Appropriation enables us to assimilate and repurpose discourses that have preceded us, shaping, dictating, and infiltrating our auditory realms and futures.

 

This dual process allows me to re-territorialize, sonically navigate, and reinterpret a historical narrative that is both unfamiliar and intrinsically linked to my identities through sound and scene.